Where this one fits: The Slow Wonder follows the New Pornographers' Mass Romantic and Electric Version, but precedes Twin Cinema. It is the transition from the frenetic power-pop of the first two NP albums and the deeper, more timeless quality of their latest. Without the burden of the NP "sound" to live up to, Newman stretches, writes ballads and Pink Floyd-y space out songs (though always concise), and if anything gets more Pet Sounds-like in his musical arrangements (the gorgeous trumpet on "Come Crash," the driving, rhythmic cello on "Town Halo").Newman is, quite obviously, very prolific and his batting average is stunningly high. It's okay with me if he mixes in solo albums with his NP output, using them as places to experiment with new kinds of songs that he thinks maybe his NP fans won't cotton to.But this album is full of hits, just as melodic and with just as many "how does he do that?" high-wire assemblages of melody, rhythm and arrangement as the NP delivers. If you like the New Pornographers, you'll be joyous at hearing "On the Table," "Mystery Drug," "Secretarial" and my favorite "The Town Halo." A.C. Newman is rapidly becoming the most valuable pop artist on the planet, a keeper of the great tradition of pop/rock songwriters that has nearly died out.